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October 2. 01. 3 - Bondage Video Discussion Forum Archive. Episode 1. Lori Waverly starts it off, wearing a diaphanous, somewhat virginal dress that goes below the knee. She comes across a place where bondage equipment is lying about, and fantasizes about being tied up in it. In the first scene, Lori lies down to examine some bondage gear, along with a small dildo, lying next to a post.

Cut to her lying on her back, in only her black string bikinis, wearing a triple- strap crotch harness, her wrists cuffed behind her back. Her neck is fastened to the post by a short rope attached to a leather collar. Nice, pillowy tits, there, Lori. What do you want to bet that dildo got turned on and slid up her pussal cavity before the harness got strapped on? No way she's getting out of that one.

Back in her dress, with that fantasy over, Lori notices a pair of leather wrist cuffs hanging from an overhead pipe. After a nod to her crotch, she strolls over to reach up and grab it with both hands. Dissolve to her in the cuffs, suspended from the pipe, with her thighs and ankles strapped together. Her toes can ba- a- a- rely touch the ground. A bit into her protestations, crotch rope is thrown in for no extra charge. Again, she's only in her black panties.

A bit after that, a slight adjustment suspends her calves off the ground - - kind of a vertical Flying Wallenda. Recovering from that fantasy, Lori backs up against the post and closes her eyes with a dreamy look on her face. Oh boy, you think, this one's going to be good. But when the scene fades, that's it. Done. Lori looks luscious here. She's one of those women who is prettier than she looks at first glance - - a stealth hottie. She dyed her hair black, which looks really good, too.

There's a running theme in Blakemore's work, of innocents abducted and abused. Another theme is, innocent on the outside, pervert on the inside. That one's Lori. Grade: BEpisode 2. I don't know the name of this infrequently used model, so I called her G1 (Girl 1). She has all the goods, except for her unfortunate 1.

That was probably the worst decades in history for women's hair styles. Just watch a "Matlock" re- run if you don't believe me. She backs into a corner, afraid of someone (us?), wearing a strapless, below- the- knee dress. When she gets Eiffel Towered, guess what's gonna happen to the top of her dress, even with gazongas like that holding it up? It's gravity vs. dress, and Isaac Newton wins. Out pops a bountiful set of mammaries that she is mortified we can see. Just mortified. Cut to her in the same position, sans dress.

Wowza! If you're not sure what a statuesque body is, look no further. This gal is loaded. And she's a dancer! Her let- me- out- of- here dance is just fabulous.

Then a crotch rope gets added. What's this? She's trying to bite the rope off? How cute! One of the Blakemore Basic Rules (they always have heels on, they are never barefoot) gets violated, but she stays on her toes the whole time, wiggling that luscious shape in ways you might not have thought a woman's body can wiggle. Brief cut to a suspended vertical spread- eagle, quickly followed by an inverted spread- eagle shown in a video montage from two points of view. I don't know if this was intentional, or a mistake in the production of my copy of the video, but it takes two shots that were great in themselves, lays them on top of each other, and ruins both of them. It's especially disappointing when the setup shifts to her being upside down and entirely naked.

In the final scene, she's lying on the floor, gagged, arms pulled upwards, and her ankles fastened to a post. She's still nude. The camera pans, but avoids her mid- section. Now we're upright again, Eiffel Tower, nude, but not one bush shot. Fade. Aside from the montage, this episode was way too short. We have a model who is B- U- I- L- T and knows how to move it, but we don't get enough. Oh, well, we got some.

Grade: B Episode 3. Karen Arthur lies on a bed in a pink baby doll and matching panties, reading HOM bondage magazines. She seems to be wearing the big black wig that Sharon Montgomery wears a lot. Reveling in her femaleness, Karen stretches her right leg upward to give us a really nice, long- lasting crotch shot - - pantied, but we still say thank you. Picking up the theme of Episode 1, Karen fantasizes about being tied up, based on the pictures she sees in the magazines. Admiring a model who looks quite like herself ("Private Room" from Strict, Vol. Num. 7), Karen immediately finds herself standing up and wearing only her panties, hands bound in front of her, crotch rope in place, thighs and ankles tied together.

A taut noose around her neck keeps her from wiggling around too much. She shortly gets switched to AOH with a crotch rope.

Back to the bed and the nightie, Karen admires a pictorial titled, "In Training", with Carolyn Clarke (Karen's other stage name). In only her pink panties and heels, she's tied AOH with one leg hiked up about that high, too. She bounces around on the one foot that's on the ground.

Relieved from that predicament, her ankles are tied to a post, still AOH, and a thick crotch rope has been added. Finally, she gets put into a vertical FW.

Because one leg is on each side of the post, she can't flip herself over. Back on the bed, Karen gives us another leg- lifting crotch shot.

Thank you very much, Karen. She's looking at a pictorial titled, "The Proof", with Pamela Trenton. That yanks Karen's fantasy back to the panties/heels costume, tied to a swivel chair with a crotch rope running straight up to the ceiling. She spends a good bit of time rubbing her nipples against the rope. Why? Because it feels good. Just look at her face. That goes on for a while, and you start drumming our fingers on the table in front of you, but the wait is worth it.

Karen gets tied with her hands behind a post, but a crotch rope is pulling her up and away from the post. One part of her body wants to go this way, the other wants to go that way, and her pussy is paying the price. Real simple, real hot. Enough fantasizing already! Back on the bed, Karen starts up a ferocious bout of self- pleasuring. Fade. As much as I get off on Karen, I don't find this episode to be up to her standard. She is still very pretty, but the downside is we don't get good looks at her amazing figure, and she doesn't seem to be in all that much trouble.

Grade: BEpisode 4. Toni Stern paces in a jail cell, her hands cuffed in front of her, wearing a black long- sleeved top and black mini- skirt. She shrinks from the approach of a Tormentor, who releases her and forces her to remove her skirt and unbutton her top. Fastened AOH, a fine bit of dancing follows. Cut now to three quick bondages, dressed in only her underwear.

In the first, Toni is tied to a post, some what like Karen Arthur in the previous episode, with straps holding her fast to the post and a crotch rope pulling in the opposite direction. Next, her bra gets unfastened revealing a marvelous pair of tits.

Finally, she gets put in more or less the same position, but from sitting in a chair. In all of this, that crotch rope is causing her quite a bit of discomfort. She is definitely not enjoying any of it. A Tormentor appears, to stuff a wad of cloth in her mouth, which gets held in place by a leather strap. Watch Planet Of Dinosaurs Online (2017).

Her face is tear- streaked. Now for the best bit.

She's tied standing, arms overhead but apart, ankles free. Her panties fall down as she gyrates, but the kindly Tormentor pulls them back up. Now begins a dance that rivals Sharon Montgomery's rope ride in P1 for its intense eroticism. Her muscular, filled- out body bucks and writhes, hips rotating, crotch thrusting, legs roiling, for 1: 4. This is what it's all about, folks. Back in a chair, ungagged, her legs are fastened high and wide to a spreader bar. Unfortunately, we only see her face and each ankle.

The good stuff in the middle is unseen.